Archive for March, 2010

Put your hands up…

Detroit.  Getting quite a lot of media attention right now, I watched this documentary from the BBC. Julian Temple’s Requiem for Detroit.

Julien Temple’s new film is a vivid evocation of an apocalyptic vision: a slow-motion Katrina that has had many more victims. Detroit was once America’s fourth largest city.

Built by the car for the car, with its groundbreaking suburbs, freeways and shopping centres, it was the embodiment of the American dream.

But its intense race riots brought the army into the city. With violent union struggles against the fierce resistance of Henry Ford and the Big Three, it was also the scene of American nightmares.

Now it is truly a dystopic post-industrial city, in which 40 per cent of the land in the centre is returning to prairie. Greenery grows up through abandoned office blocks, houses and collapsing car plants, and swallows up street lights.

Police stations and post offices have been left with papers on the desks like the Marie Celeste. There is no more rush hour on what were the first freeways in America. Crime, vandalism, arson and dog fighting are the main activities in once the largest building in North America. But it’s also a source of hope.

Streets are being turned to art. Farming is coming back to the centre of the city. Young people are flocking to help. The burgeoning urban agricultural movement is the fastest growing movement in the US. Detroit leads the way again but in a very different direction.

Despite the slightly extremely annoying style (out of place sound effects? oh sorry you are being “experimental”, too much music, volume changes?!?!) and the rather uncharismatic informants – and red glasses artist bits i had to skip (aside from Mr. “I just woke up” and the old hippie woman on her balcony) it tackled some very interesting subjects.

Urbanism, industralisation, capitalism, migration, class struggle, race, feminism – everything really was mentioned in some way or another. What was key was the idea of creating a market for cars by building and reconfiguring the city over time in order to create that market, for example the addition of suburbia and how it was executed.

So economics is determining the city, capitalism is determining the city. Not people. The market is determining the city, but its political, people being made to want something which in turn shapes the city.

The example of the theatre built with proceeds from money of Ford clearly stands out. It had no parking, so it shut down and eventually became a car park.

New East London Line / Overground

Quite nice to see this little preview, makes a good change from the poor excuse for stations at Hackney Central and Dalston which seem to be mostly portacabins.

Why cant we have the original station at Hackney Central back???

http://www.subbrit.org.uk/sb-sites/stations/h/hackney/index1.shtml

http://www.subbrit.org.uk/sb-sites/stations/h/hackney/index.shtml

The Power of Corridors

The Power of Corridors: connecting doors, mobilising materials, plotting openness by Rachel Hurdley

This paper is based on an ethnographic study of corridors in a large university building, originally built to house local government in the early 20th century. By attending to their huge physical presence in the everyday culture of an institution, the paper shows how corridors matter. Too often invoked as iconic, intangible metaphors, the presence of corridors as cultural materials can be forgotten. Conversely, as incidental – or even detrimental – remnants of past design trends, they are perceived parts of a divisive, hierarchical organisation of space. As the open-plan office, indoor street, forum and atrium displace them in a new design for ‘openness’, the study focuses on the mobilisation of corridors in the daily, sometimes momentary re-arrangements of meaning in an organisation. In conclusion, I discuss how the new architecture of ‘openness’ might be reconfigured through mobile understandings of everyday ‘openings’ and ‘closings’.

First heard her interviewed on Radio 4, then found this blog post. Her paper.

Rob Carter’s Metropolis

Metropolis by Rob Carter – Last 3 minutes from Rob Carter on Vimeo.

Metropolis is a quirky and very abridged narrative history of the city of Charlotte, North Carolina. It uses stop motion video animation to physically manipulate aerial still images of the city (both real and fictional), creating a landscape in constant motion.

This reminded me of the RA’s Paper Utopias project.

Londonist on Maps

Finding the centre of London project which reminds me of something seen on Flickr, finding the centre of Hackney perhaps?

This reminds me of my Masters mapping Ackroyd project but on Sherlock Holmes.

Interesting mapping tools to check out – http://www.mapchannels.com/

Londonist’s whole map archive looks worthwhile – http://londonist.com/tags/maps

Hand drawn maps

I’ve always loved the Strange Maps blog, and I was excited to see that the British Library are hosting an exhibition of Magnificent Maps soon.

The other day I came across this Hand drawn cartography group on Flickr which looks amazing, kinda related is this annotated maps group. Reminded me of UrbanTick’s mental map project. All this was sparked by Londonist’s hand drawn maps.